Found Footage Magazine

Their approaches to found footage, at once likeminded and singular, have served Christoph Girardet and Matthias Müller well since 1999, during which time the two of them have collaborated on nearly thirty films and photographic works. Girardet and Müller, throughout their entire corpus, dissect not only the body of film, digging around in its bones and guts, but also the body of film history, making connections between seemingly disparate organs that may have existed decades apart, connected by visual patterns, themes, or ideologies.

Their approaches to found footage, at once likeminded and singular, have served Christoph Girardet and Matthias Müller well since 1999, during which time the two of them have collaborated on nearly thirty films and photographic works. Girardet and Müller, throughout their entire corpus, dissect not only the body of film, digging around in its bones and guts, but also the body of film history, making connections between seemingly disparate organs that may have existed decades apart, connected by visual patterns, themes, or ideologies.